Two weeks to go...

And I have seen all the Best Picture nominees! I rounded out the group by seeing Capote on Friday night. I enjoyed the movie, although I thought the narrative didn't have much of an arc to it. It seemed to sit in the same place for awhile. Philipp Seymour Hoffman was outstanding as expected. His characterization of the author was excellent, but I just thought that, like the story, once he had established that great character he didn't change it. I didn't see much range within the character and he didn't seem to evolve or change through the course of the film.
My full Oscar picks will be fodder for a later post as the big night gets closer, but for now, if I had a vote for Best Picture, I would rank them like this:

5: Capote

4: Munich

3: Good Night and Good Luck

2: Crash

Winner: Brokeback Mountain


It is really close for me between the top two, I love Crash, but also think it gets a little obvious and preachy (same racist cop who humiliates upper-class black woman is the one who pulls her from burning car? please). I love the message, but just feel it needs to leave a little more for us to think about, instead of beating us over the head with it. Brokeback Mountain has those moments where you just don't know what exactly happened to Jack, or why the characters do what they do. Those moments that make the audience think and wonder and discuss--that's great filmmaking. (It's also why the Spanish movie Abre los ojos is a million times better than the Cameron Crowe English re-make Vanilla Sky) But I disgress.
I also want to put a big shout out to Good Night and Good Luck. No movie has more relevance to today's society than this one set in the 1950's. The words of Edward R. Murrow from the opening and closing scenes are downright haunting. They could easily be spoken by anyone today. The prevalence of the media and their role in culture and politics is frightening. The ease with which politicians can manipulate the public through the media was foreseen by broadcasting legend Murrow and the film shows his beliefs and how he fought against those politicians and that trend in our culture. Too bad we don't have any Edward R. Murrow's today. The power of television has been usurped and programming has been transformed into a voyeuristic, narcissistic wasteland instead of the great tool with the power to inform, educate and strengthen a democracy--as Murrow saw it. Anyway, the film lacks the scope, cinematography, supporting cast and emotional pull to bring home the statue for Best Picture, but if it doesn't win a screenplay award it would be a major injustice.

Happy Oscar Season!